The Militarized Super Bowl

W.J. Astore

The blurring and blending of sports and war

I never miss a Super Bowl, and this year’s game was close until its somewhat anti-climatic end. Of course, there’s always a winning team and a losing one, but perhaps the biggest winner remains the military-industrial complex, which is always featured and saluted in these games.

How so? The obligatory military flyover featured Navy jets flown by female pilots. Progress! The obligatory shot of an overseas (or on-the-sea) military unit featured the colorful crew of the USS Carl Vinson, an aircraft carrier. A Marine Corps color guard marched out the American flag along with the flags of each of the armed services. The announcers made a point to “honor those who fight for our nation.” All this is standard stuff, a repetitive ritual that turns the Super Bowl into Veterans Day, if only for a few minutes.

What was new about this year’s ceremony was the celebration of Pat Tillman’s life, the sole NFL player (and I think the only athlete in any of America’s “major” sports leagues) to give up his career and hefty paycheck to enlist in the U.S. military after 9/11. Yes, Pat Tillman deserves praise for that, and since the game was played in Arizona and Tillman had been with the Arizona Cardinals, honoring him was understandable. Yet, the network (in this case, Fox) quickly said he’d “lost his life in the line of duty.” No further details.

Pat Tillman’s glorious statue

Tillman was killed in a friendly-fire incident that was covered up by the U.S. military in a conspiracy that went at least as high as Secretary of Defense Donald Rumsfeld. The military told the Tillman family Pat had died heroically in combat with the enemy in Afghanistan and awarded him the Silver Star. The Tillman family eventually learned the truth, that Pat had been killed by accident in the chaos of war, a casualty of FUBAR, because troops in combat, hyped on adrenaline, confused and under stress, make deadly mistakes far more often than we’d like to admit.

What makes me sad more than angry is how Tillman’s legacy is being used to sell the military as a good and noble place, a path toward self-actualization. Tillman, a thoughtful person, a soldier who questioned the war he was in, is now being reduced to a simple heroic archetype, just another recruitment statue for the U.S. military.

His life was more meaningful than that. His lesson more profound. His was a cautionary tale of a life of service and sacrifice in a war gone wrong; his death and the military’s lies about the same are grim lessons about the waste of war, its lack of nobility, the sheer awfulness of it all.

Tillman’s statue captures the essence of a man full of life. His death by friendly fire in a misbegotten war, made worse by the lies told to the Tillman family by the U.S. military, reminds us that the essence of war is death.

That was obviously not the intended message of this Super Bowl tribute. That message was of military service as transformative, as full of grace, and I’m sorry but I just can’t stomach it because of what happened to Pat Tillman and how he was killed not only by friendly fire on the ground but how his life was then mutilated by those at the highest levels of the U.S. military.

Hollywood Stars and Sports Heroes: Uncle Sam Wants You!

Stewart
No — Jimmy Stewart is not acting here.  He flew bombers in World War II and rose to the rank of brigadier general in the Air Force

W.J. Astore

Back in 2013, I wrote an article on U.S. wars and the absence of movie and sports stars in the ranks of those who serve.  Hollywood and sports leagues such as the NFL and MLB celebrate the military today, but that celebration does not extend to service and sacrifice.  Indeed, the main service is lip service: basically, cheap words to the effect that we celebrities “support” the troops.  It’s not exactly the kind of service we associate with the Greatest Generation of World War II, is it?

Yet the absence of Hollywood celebrities and sports “heroes” in the ranks may be indicative of another, much more serious, issue.  Maybe America’s wars simply aren’t vital to them — or to us?  And if they’re not vital, why are they still in progress?  Why can’t we end them?

Here is what I wrote in 2013:

The tradition of the citizen-soldier is still alive in this country — just look at our National Guard units. But the burden of military service is obviously not equally shared, with the affluent and famous tucked away safely at home. How many people remember that Jimmy Stewart, legendary Hollywood actor, flew dangerous combat missions in the skies over Europe during World War II? Stewart didn’t flaunt his combat service; in fact, playing against type, he stayed home as the unhallowed George Bailey in It’s A Wonderful Life, a movie that celebrated the heroism of the ordinary citizen. In the movie, Stewart’s quiet, home-based heroism, his powerful sense of fairness and decency, is even allowed to overshadow that of his younger brother, who returns from war with the Medal of Honor.

There’s an interesting lesson there. In World War II, celebrities often risked life and limb in real military service, then after the war played against type to celebrate the virtues of a homespun heroism. Today’s celebrities avoid military service altogether but play tough in action films where they pose as “heroes.”

Other than Pat Tillman, who gave up a promising NFL football career to join the military after 9/11, I can’t think of a single celebrity who answered the call to arms as a citizen-soldier.

Then again, that call was never issued. After 9/11, President George W. Bush famously told us to keep calm and carry on — carrying on shopping and patronizing Disney, that is. He did so because he already had a large standing professional military he could call on, drawn primarily from the middling orders of society. This “all volunteer military” is often described (especially in advertisements by defense contractors) as a collection of “warfighters” and “warriors.” In the field, they are supplemented by privatized militaries provided by companies like Academi (formerly Blackwater/Xe), Triple Canopy, and DynCorp International. In a word, mercenaries. These bring with them a corporate, for-profit, mindset to America’s wars.

If we as a country are going to keep fighting wars, we need a military drawn from the people. All the people. As a start, we need to draft young men (and women) from Hollywood, from the stage and screen. And we need to draft America’s sports stars (I shouldn’t think this would be an issue, since there are so many patriotic displays in favor of the troops at NFL stadiums and MLB parks).

Jimmy Stewart served in combat. So too did Ted Williams. So too did so many of their Hollywood and sporting generation.

Until today’s stars of stage and screen and sports join with the same sense of urgency as their counterparts of “The Greatest Generation,” I’ll remain deeply skeptical of all those Hollywood and sporting world patriotic displays of troop support.

If this whole line of argument sounds crazy to you, I have a modest suggestion. Rather a plea. If our celebrities who profit the most from America are unwilling to defend it the way Stewart and Williams did, perhaps that’s not just a sign of societal rot. Perhaps it’s a sign that our wars are simply not vital to us. And if that’s the case, shouldn’t we end them? Now?

Uncle Sam Wants You, Stars of Stage and Screen and the Sporting World

Brigadier General Jimmy Stewart (for real)
Brigadier General Jimmy Stewart (for real)

The tradition of the citizen-soldier is still alive in this country — just look at our National Guard units. But the burden of military service is obviously not equally shared, with the affluent and famous tucked away safely at home. How many people remember that Jimmy Stewart, legendary Hollywood actor, flew dangerous combat missions in the skies over Europe during World War II? Stewart didn’t flaunt his combat service; in fact, playing against type, he stayed home as the unhallowed George Bailey in It’s A Wonderful Life, a movie that celebrated the heroism of the ordinary citizen. In the movie, Stewart’s quiet, home-based heroism, his powerful sense of fairness and decency, is even allowed to overshadow that of his younger brother, who returns from war with the Medal of Honor.

There’s an interesting lesson there. In World War II, celebrities often risked life and limb in real military service, then after the war played against type to celebrate the virtues of a homespun heroism. Today’s celebrities avoid military service altogether but play tough in action films where they pose as “heroes.”

Other than Pat Tillman, who gave up a promising NFL football career to join the military after 9/11, I can’t think of a single celebrity who answered the call to arms as a citizen-soldier.

Then again, that call was never issued. After 9/11, President George W. Bush famously told us to keep calm and carry on — carrying on shopping and patronizing Disney, that is. He did so because he already had a large standing professional military he could call on, drawn primarily from the middling orders of society. This “all volunteer military” is often described (especially in advertisements by defense contractors) as a collection of “warfighters” and “warriors.” In the field, they are supplemented by privatized militaries provided by companies like Academi (formerly Blackwater/Xe), Triple Canopy, and DynCorp International. In a word, mercenaries. These bring with them a corporate, for-profit, mindset to America’s wars.

If we as a country are going to keep fighting wars, we need a military drawn from the people. All the people. As a start, we need to draft young men (and women) from Hollywood, from the stage and screen. And we need to draft America’s sports stars (I shouldn’t think this would be an issue, since there are so many patriotic displays in favor of the troops at NFL stadiums and MLB parks).

Jimmy Stewart served in combat. So too did Ted Williams. So too did so many of their Hollywood and sporting generation.

Until today’s stars of stage and screen and sports join with the same sense of urgency as their counterparts of “The Greatest Generation,” I’ll remain deeply skeptical of all those Hollywood and sporting world patriotic displays of troop support.

If this whole line of argument sounds crazy to you, I have a modest suggestion. Rather a plea. If our celebrities who profit the most from America are unwilling to defend it the way Stewart and Williams did, perhaps that’s not just a sign of societal rot. Perhaps it’s a sign that our wars are simply not vital to us. And if that’s the case, shouldn’t we end them? Now?

Astore writes regularly for TomDispatch.com and The Contrary Perspective and can be reached at wjastore@gmail.com.