“Unquestionably Syme Will Be Vaporized”: Lessons from Orwell’s 1984

orwell-nineteen-eighty-four-large-cover

W.J. Astore

Syme is a minor character in George Orwell’s “1984.”  A philologist, Syme works on the Eleventh Edition of the Newspeak dictionary, “the definitive edition” according to him.  What’s fascinating is Orwell’s description of the intent and main functions of Newspeak, as given by Syme in this passage:

“You think … our chief job is inventing new words. But not a bit of it! We’re destroying words—scores of them, hundreds of them, every day. We’re cutting language down to the bone … You don’t grasp the beauty of the destruction of words. Do you know that Newspeak is the only language in the world whose vocabulary gets smaller every year?”

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thought-crime literally impossible, because there will be no words in which to express it. Every concept that can ever be needed will be expressed by exactly one word, with its meaning rigidly defined and all its subsidiary meanings rubbed out and forgotten … Every year fewer and fewer words, and the range of consciousness always a little smaller… The Revolution will be complete when the language is perfect…”

“Even the literature of the Party will change. Even the slogans will change. How could you have a slogan like ‘freedom is slavery’ when the concept of freedom has been abolished? The whole climate of thought will be different. In fact there will be no thought, as we understand it now. Orthodoxy means not thinking—not needing to think. Orthodoxy is unconsciousness.”

This brilliant passage by Orwell sends chills up my spine.  There will be no thought.  Orthodoxy means not thinking.  Is this not in fact true of many people today, content to express unquestioning and unwavering obedience to “the Party,” like the people who support Donald Trump simply because he says he’ll make America great again?

After Syme’s oration on Newspeak, Winston Smith, the main protagonist of “1984,” thinks to himself: “Syme will be vaporized. He is too intelligent. He sees too clearly and speaks too plainly. The Party does not like such people. One day he will disappear. It is written in his face.”

A couple of pages later, Syme makes another penetrating observation:

“There is a word in Newspeak … I don’t know whether you know it: duckspeak, to quack like a duck. It is one of those interesting words that have two contradictory meanings. Applied to an opponent, it is abuse; applied to someone you agree with, it is praise.”

To this observation, Winston thinks to himself: “Unquestionably Syme will be vaporized.”

Why?  Orwell notes that Syme is a Party zealot, a true believer.  But what he lacks, Orwell makes clear, is unconsciousness.  Syme is too self-aware, and speaks too plainly, therefore he must go.  And indeed later in the book he does disappear.

(As an aside, I like Orwell’s reference to some of Syme’s fatal flaws: that he “read too many books” and “frequented … [the] haunt of painters and musicians.”  Yes: books and the arts are indeed the enemy of unconscious orthodoxy in any state.)

The other day, a reader sent to me the following unattributed saying:  We build our houses out of words, then we live in them.

In “1984,” the Party sought total control over language, over words, as a way of dominating people’s consciousness.

One of my favorite sayings of Orwell, also from “1984” and one I always shared with my students, goes something like this: Who controls the past controls the future.  Who controls the present controls the past.

I think you could add to that: Who controls the language, the very words with which we communicate and think, controls the present.

Language is the key, a point Orwell brilliantly makes through the character of Syme in “1984.”

This Modern and Dystopic World

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My copy of Orwell’s 1984

W.J. Astore

The modern world is a kluge of Ray Bradbury’s Fahrenheit 451 with screens everywhere in which people submerge themselves, Aldous Huxley’s Brave New World with “soma” of all sorts to keep us drugged and happy, and of course George Orwell’s 1984 with constant surveillance and the “two minutes of hate,” directed mainly at “the enemy,” especially the enemy within, known in 1984 as Goldstein (for some Americans today, “Goldstein” is Donald Trump; for others, it’s Hillary Clinton; for a few, it’s Ted Cruz or perhaps all of the above).

Dystopic elements characterize our American moment, hence the appropriateness of dystopic science fiction novels.  Bradbury was especially good at poking holes in the idea technology was in essence a liberating force.  He captured the way people might submerge their identities within screens, neglecting the real people around them, even those closest to them, for the “virtual reality” of infotainment.  Huxley was keen to debunk mass production as a liberating force, but his invention of “soma,” a mood-enhancing drug that leads to detachment and inaction, captured our overly medicated ways.  (I can’t watch network news without being bombarded by drug ads that promise me release from pain or acne or other nuisances and hence a better life, as long as I take this pill or use this inhaler.)  Finally, Orwell captured the total surveillance state, one driven by fear, obsessed by enemies created by the state to cow the masses.  Perhaps the darkest of the three, Orwell left little hope for the “little man” oppressed under the jackboot of a militaristic and totalitarian state.

The times are not quite that dark in America today, but these three classic novels offer warnings we’d do well to heed.  An aspect of these dystopias we most definitely see in America today is the degeneration of news, of information, of knowledge.  As a society, America is arguably less fact-based today than at any point in its history.  Even as we’re immersed in information via the Internet, the news itself has become shallower, or trivial, or frivolous, when it’s not out-and-out propaganda.

I grew up watching the news.  Before going to school, I used to watch the “Today” show in the morning in the 1970s.  It was a decent show.  Some real and serious news made the cut.  Now it’s largely a laugh-fest featuring celebrities making sales-pitches.  The news as soap opera; the news as vanity.

To state the obvious: The network “news” has been dumbed down.  Image is nearly everything.  Stories are far shorter and without context.  Designed for people with limited attention spans, they’re also designed to keep people watching, so they feature sensationalism and “quick hits” — nothing too taxing or disturbing.

Of course, the real news is still out there, as Tom Engelhardt notes in his latest probing article at TomDispatch.com.  It’s just much harder to find on the network “news”:

What’s left out?  Well, more or less everything that truly matters much of the time: any large, generally unphotogenic process, for instance, like the crumbling of America’s infrastructure (unless cameras can fortuitously zoom in on a bridge collapsing or a natural gas pipeline in the process of blowing up in a neighborhood — all so much more likely in an age in which no imaginable situation lacks its amateur video); poverty (who the hell cares?); the growing inequality gap locally or globally (a no-interest barrier the WikiLeaks-style Panama Papers recently managed to break through); almost anything that happens in the places where most of the people on this planet actually live (Asia and Africa); the rise of the national security state and of militarism in an era of permanent war and permanent (in)security in the “homeland”; and don’t even get me started on climate change…

Coming to grips with the real news would require thought and necessitate action – changes, radical ones, to the status quo.  And what powerbroker wants that?

Focus instead, America, on your screens.  Take your soma.  Hate your Goldstein.  That’s the method driving our madness.  Dystopia, anyone?

 

Words about War Matter

orwell-nineteen-eighty-four-large-cover

W.J. Astore

In my new article for TomDispatch.com, I argue that words about war matter.  A clear sign of America’s post-democratic military is the language our leaders use when they talk about war.  Specifically, words, euphemisms, and expressions that muddle or obfuscate meaning while excluding most Americans from the debate.  Acronyms like VUCA and 4GW and COIN, moreover, create a specialized language that suggests war is beyond the understanding of regular folk.  Meanwhile, euphemisms and rhetoric hide the truth about war.

In a democracy, how are proper decisions to be made about war if the truth is deliberately cloaked or hidden?

The entire article is here at TomDispatch.com; what follows is the last section of my article, featuring a strong contribution from Mike Murry, a regular contributor here at Bracing Views.

The proliferation of euphemisms, acronyms, and neologisms has no end.  You might start with “defense” instead of “war” department, followed by “homeland” security, the “PATRIOT” act, and on and on.  I still recall Ronald Reagan’s christening of the MX nuclear missile, with its multiple warheads capable of unleashing city-wide genocides, as the “Peacekeeper.”

The United States may be losing our many “overseas contingency operations,” but when it comes to manipulating words, it’s truly “mission accomplished.”

The Truth About “Progress” in America’s Wars

These days, Secretary of Defense Ashton Carter often resorts to cancer imagery when describing the Islamic state. “Parent tumor” is an image he especially favors — that is, terrorism as a cancer that America’s militarized surgeons need to attack and destroy before it metastasizes and has “children.”  (Think of the ISIS franchises in Libya, where the organization has recently doubled in size, Afghanistan, and Yemen.)  Hence the proliferation of “surgical strikes” by drones and similarly “surgical” Special Ops raids, both of which you could think of as America’s equivalent of white blood cells in its war on the cancer of terrorism.

But is terrorism really a civilizational cancer that can be “cured” via the most aggressive “kinetic” treatments?  Can the U.S. render the world cancer-free?  For that’s what Carter’s language implies.  And how does one measure “progress” in a “war” on the cancer of ISIS?  Indeed, from an outsider’s perspective, the proliferation of U.S. military bases around the world (there are now roughly 800), as well as of drone strikes, Special Ops raids, and massive weapons exports might have a cancerous look to them.  In other words, what constitutes a “cancer” depends on one’s perspective — and perhaps one’s definition of world “health,” too.

The very notion of progress in America’s recent wars is one that a colleague, Michael Murry, recently critiqued.  A U.S. Navy Vietnam War Veteran, he wrote me that, for his favorite military euphemism, “I have to go with ‘progress’ as incessantly chanted by the American military brass in Iraq and Afghanistan…

“We go on hearing about 14 years of ‘progress’ which, to hear our generals tell it, would vanish in an instant should the United States withdraw its forces and let the locals and their neighbors sort things out. Since when do ‘fragile gains’ equate to ‘progress’? Who in their right mind would invest rivers of blood and trillions of dollars in ‘fragility’?  Now that I think of it, we also have the euphemistic expression of ‘drawdown’ substituting for ‘withdrawal’ which in turn substitutes for ‘retreat.’ The U.S. military and the civilian government it has browbeaten into hapless acquiescence simply cannot face the truth of their monumental failures and so must continually bastardize our language in a losing — almost comical — attempt to stay one linguistic step ahead of the truth.”

Progress, as Murry notes, basically means nothing when such “gains,” in the words of David Petraeus during the surge months in Iraq in 2007, are both “fragile” and “reversible.” Indeed, Petraeus repeated the same two words in 2011 to describe similar U.S. “progress” in Afghanistan, and today it couldn’t be clearer just how much “progress” was truly made there.  Isn’t it time for government officials to stop banging the drums of war talk in favor of “progress” when none exists?

Think, for instance, of the American-trained (and now re-trained) Iraqi security forces. Each year U.S. officials swear that the Iraqi military is getting ever closer to combat readiness, but much like one of Zeno’s paradoxes, the half-steps that military takes under American tutelage never seem to get it into fighting shape.  Progress, eternally touted, seems always to lead to regress, eternally explained away, as that army regularly underperforms or its units simply collapse, often abandoning their American-supplied weaponry to the enemy.  Here we are, 12 years after the U.S. began training the Iraqi military and once again it seems to be cratering, this time while supposedly on the road to retaking Iraq’s second largest city, Mosul, from its Islamic State occupiers.  Progress, anyone?

In short, the dishonesty of the words the U.S. military regularly wields illustrates the dishonesty of its never-ending wars. After so many years of failure and frustration, of wars that aren’t won and terrorist movements that only seem to spread as its leaders are knocked off, isn’t it past time for Americans to ditch phrases like “collateral damage,” “enemy noncombatant,” “no-fly zone” (or even worse, “safe zone”), and “surgical strike” and adopt a language, however grim, that accurately describes the military realities of this era?

Words matter, especially words about war.  So as a change of pace, instead of the usual bloodless euphemisms and vapid acronyms, perhaps the U.S. government could tell the shocking and awful truth to the American people in plain language about the realities and dangers of never-ending war.

William Astore, a retired lieutenant colonel (USAF) and professor of history, is a TomDispatch regular.  He blogs at Bracing Views.

 

War is Peace

W.J. Astore

Out shopping today at my local used bookstore and came across an early paperback copy (from 1952) of George Orwell’s 1984.  A little overpriced at $15.00, but the cover called to me.  What a classic!

My "new" old copy of Orwell's 1984
My “new” old copy of Orwell’s 1984

If you click on the picture, you can just make out, if you look closely, the slogans on the Ministry of Truth in the upper left: War Is Peace, Freedom Is Slavery, Ignorance Is Strength.

The reverse of the cover is also quite well done:

Which one will you be in 2014?
Which one will you be in 2014?

That tag line haunts me: “in a world many of us may live to see!”  Hype, reader?  Or prophecy?

I haven’t read Orwell since college, circa 1984 in fact.  Time to get crackin’ before my old copy is confiscated and sent down the memory hole.