Clinton, Trump, and the Cynicism of American Politics

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The best we can do?

Chris Hedges.  From Truthdig.

Editor’s Note: I’ve been reading Chris Hedges since his fine book, “War Is A Force that Gives Us Meaning.”  In this article, Hedges explains the cynicism of the U.S. political process, pinning the tail on the Democratic donkey even as the Republican elephant remains looming in the room.  The Democrats, by moving to the right and by encouraging the rise of “fringe” candidates like Trump, have created a system that has alienated large swathes of the American electorate.  Many of these people have embraced Trump, a political outsider with major, probably fatal, flaws.  It’s what happens in the aftermath of Trump’s probable defeat that worries Hedges — as should it worry all of us.  

Americans are not offered major-party candidates who have opposing political ideologies or ideas. We are presented only with manufactured political personalities. We vote for the candidate who makes us “feel” good about him or her. Campaigns are entertainment and commercial vehicles to raise billions in advertising revenue for corporations. The candidate who can provide the best show gets the most coverage. The personal brand is paramount. It takes precedence over ideas, truth, integrity and the common good. This cult of the self, which defines our politics and our culture, contains the classic traits of psychopaths: superficial charm, grandiosity, self-importance, a need for constant stimulation, a penchant for lying, deception and manipulation, and incapacity for remorse or guilt. Donald Trump has these characteristics. So does Hillary Clinton.

Our system of inverted totalitarianism has within it the seeds of an overt or classical fascism. The more that political discourse becomes exclusively bombastic and a form of spectacle, the more that emotional euphoria is substituted for political thought and the more that violence is the primary form of social control, the more we move toward a Christianized fascism.

Last week’s presidential debate in St. Louis was only a few degrees removed from the Jerry Springer TV show—the angry row of women sexually abused or assaulted by Bill Clinton, the fuming Trump pacing the stage with a threatening posture, the sheeplike and carefully selected audience that provided the thin veneer of a democratic debate while four multimillionaires—Martha Raddatz, Anderson Cooper, Clinton and Trump—squabbled like spoiled schoolchildren.

The Clinton campaign, aware that the policy differences between her and a candidate such as Jeb Bush were minuscule, plotted during the primaries to elevate the fringe Republican candidates—especially Trump. To the Democratic strategists, a match between Clinton and Trump seemed made in heaven. Trump, with his “brain trust” of Rudy Giuliani and Chris Christie, would make Clinton look like a savior.

A memo addressed to the Democratic National Committee under the heading “Our Goals & Strategy” was part of the trove of John Podesta emails released this month by WikiLeaks.

“Our hope is that the goal of a potential HRC [Hillary Rodham Clinton] campaign and the DNC would be one-in-the-same: to make whomever the Republicans nominate unpalatable to the majority of the electorate. We have outlined three strategies to obtain our goal …,” it reads.

The memo names Ted Cruz, Donald Trump and Ben Carson as candidates, or what the memo calls “Pied Piper” candidates who could push mainstream candidates closer to the positions embraced by the lunatic right. “We need to be elevating the Pied Piper candidates so that they are leaders of the pack and tell the press to [take] them seriously.”

The elites of the two ruling parties, who have united behind Clinton, are playing a very dangerous game. The intellectual and political vacuum caused by the United States’ species of anti-politics, or what the writer Benjamin DeMott called “junk politics,” leaves candidates, all of whom serve the interests of the corporate state, seeking to exaggerate what Sigmund Freud termed “the narcissism of small differences.”

However, this battle between small differences, largely defined by the culture wars, no longer works with large segments of the population. The insurgencies of Trump and Bernie Sanders are evidence of a breakdown of these forms of social control. There is a vague realization among Americans that we have undergone a corporate coup. People are angry about being lied to and fleeced by the elites. They are tired of being impotent. Trump, to many of his most fervent supporters, is a huge middle finger to a corporate establishment that has ruined their lives and the lives of their children. And if Trump, or some other bombastic idiot, is the only vehicle they have to defy the system, they will use him.

The elites, including many in the corporate press, must increasingly give political legitimacy to goons and imbeciles in a desperate battle to salvage their own legitimacy. But the more these elites pillage and loot, and the more they cast citizens aside as human refuse, the more the goons and imbeciles become actual alternatives. The corporate capitalists would prefer the civilized mask of a Hillary Clinton. But they also know that police states and fascist states will not impede their profits; indeed in such a state the capitalists will be more robust in breaking the attempts of the working class to organize for decent wages and working conditions. Citibank, Raytheon and Goldman Sachs will adapt. Capitalism functions very well without democracy.

In the 1990s I watched an impotent, nominally democratic liberal elite in the former Yugoslavia fail to understand and act against the population’s profound economic distress. The fringe demagogues whom the political and educated elites dismissed as buffoons—Radovan Karadzic, Slobodan Milosevic and Franjo Tudman—rode an anti-liberal tide to power.

The political elites in Yugoslavia at first thought the nationalist cranks and lunatics, who amassed enough support to be given secondary positions of power, could be contained. This mistake was as misguided as Franz von Papen’s assurances that when the uncouth Austrian Adolf Hitler was appointed the German chancellor in January 1933 the Nazi leader would be easily manipulated. Any system of prolonged political paralysis and failed liberalism vomits up monsters. And the longer we remain in a state of political paralysis—especially as we stumble toward another financial collapse—the more certain it becomes that these monsters will take power.

Fascism, at its core, is an amorphous and incoherent ideology that perpetuates itself by celebrating a grotesque hypermasculinity, elements of which are captured in Trump’s misogyny. It allows disenfranchised people to feel a sense of power and to have their rage sanctified. It takes a politically marginalized and depoliticized population and mobilizes it around a utopian vision of moral renewal and vengeance and an anointed political savior. It is always militaristic, anti-intellectual and contemptuous of democracy and replaces culture with nationalist and patriotic kitsch. It sees those outside the closed circle of the nation-state or the ethnic or religious group as diseased enemies that must be physically purged to restore the health of nation.

Many of these ideological elements are already part of our system of inverted totalitarianism. But inverted totalitarianism, as Sheldon Wolin wrote, disclaims its identity to pay homage to a democracy that in reality has ceased to function. It is characterized by the anonymity of the corporate centers of power. It seeks to keep the population passive and demobilized. I asked Wolin shortly before he died in 2015 that if the two major forms of social control he cited—access to easy and cheap credit and inexpensive, mass-produced consumer products—were no longer available would we see the rise of a more classical form of fascism. He said this would indeed become a possibility.

Bill Clinton transformed the Democratic Party into the Republican Party. He pushed the Republican Party so far to the right it became insane. Hillary Clinton is Mitt Romney in drag. She and the Democratic Party embrace policies—endless war, the security and surveillance state, neoliberalism, austerity, deregulation, new trade agreements and deindustrialization—that are embraced by the Republican elites. Clinton in office will continue the neoliberal assault on the poor and the working poor, and increasingly the middle class, that has defined the corporate state since the Reagan administration. She will do so while speaking in the cloying and hypocritical rhetoric of compassion that masks the cruelty of corporate capitalism.

The Democratic and Republican parties may be able to disappear Trump, but they won’t disappear the phenomena that gave rise to Trump. And unless the downward spiral is reversed—unless the half of the country now living in poverty is lifted out of poverty—the cynical game the elites are playing will backfire. Out of the morass will appear a genuine “Christian” fascist endowed with political skill, intelligence, self-discipline, ruthlessness and charisma. The monster the elites will again unwittingly elevate, as a foil to keep themselves in power, will consume them. There would be some justice in this if we did not all have to pay.

The Persistence of War

A young Tom Cruise loving his machine gun in "Taps"
A young Tom Cruise loving his machine gun in “Taps”

W.J. Astore

“[W]ar is a distressing, ghastly, harrowing, horrific, fearsome and deplorable business.  How can its actual awfulness be described to anyone?”  Stuart Hills, By Tank Into Normandy, p. 244

“[E]very generation is doomed to fight its war, to endure the same old experiences, suffer the loss of the same old illusions, and learn the same old lessons on its own.”  Philip Caputo, A Rumor of War, p. 81

The persistence of war is a remarkable thing.  Two of the better books about war and its persistence are J. Glenn Gray’s “The Warriors” and Chris Hedges “War Is a Force that Gives Us Meaning.”   Hedges, for example, writes about “the plague of nationalism,” our willingness to subsume our own identities in the service of an abstract “state” as well as our eagerness to serve that state by killing “them,” some “other” group that the state has vilified.

In warning us about the perils of nationalism, Hedges quotes Primo Levi’s words: “I cannot tolerate the fact that a man should be judged not for what he is but because of the group to which he belongs.”  Levi’s lack of tolerance stems from the hardest of personal experiences: surviving Auschwitz as an Italian Jew during the Holocaust.

Gray takes this analysis in a different direction when he notes that those who most eagerly and bloodthirstily denounce “them,” the enemy, are typically far behind the battle lines or even safely at home.  The troops who fight on the front lines more commonly feel a sort of grudging respect for the enemy, even a sense of kinship that comes with sharing danger in common.

Part of the persistence of war, in other words, stems from the ignorant passions of those who most eagerly seek it and trumpet its heroic wonders even as they stand (and strive to remain) safely on the sidelines.

Both Hedges and Gray also speak to the dangerous allure of war, its spectacle, its excitement, its awesomeness.  Even the most visceral and “realistic” war films, like the first thirty minutes of “Saving Private Ryan,” represent war as a dramatic spectacle.  War films tend to glamorize combat (think of “Apocalypse Now,” for example), which is why they do so little to put an end to war.

One of the best films to capture the dangerous allure of war to youth is “Taps.”  I recall seeing it in 1981 at the impressionable age of eighteen.  There’s a tiny gem of a scene near the end of the film when the gung ho honor guard commander, played by Tom Cruise before he was TOM CRUISE, mans a machine gun.  He’s firing against American troops sent to put down a revolt at a military academy, but Cruise’s character doesn’t care who he’s firing at.  He’s caught in the rapture of destruction.

He shouts, “It’s beautiful, man.  Beautiful.”  And then he himself is shot dead.

This small scene with Cruise going wild with the machine gun captures the adrenaline rush, that berserker capacity latent in us, which acts as an accelerant to the flames of war.

War continues to fascinate us, excite us.  It taps primal roots of power and fear and ecstasy all balled together.  It masters us, hence its persistence.

If and when we master ourselves, perhaps then we’ll finally put an end to war.